Gambrinus

Perched on the barstool
on crossed feet to look taller
he downed another pint
smacked down the mug

When he wanted to
if push came to shove
if the shit hit the fan
he could really mix it up

A low centre of gravity
fists as fat as hams
and an acumen buoyed
on barley and hops

He’d left the crown
on the bookshelf…
tonight was about drinking
and whatever else came his way

From Sonofabitch Poems, 2011

Circles, Silos, Niches

Creative writing for the likeminded — and ONLY the likeminded

I sometimes take the opportunity to rant. This is a rant.

It appears that the entire intent of ‘literature’ and ‘poetry’ is to create and define niches. Because the world — read: virtual world — is so vast, everyone is trying to cut a little piece of the landscape and call it ‘home.’ But, there are only certain guests that can and will be invited into these ‘homes.’

Open call for writers from ___ with experience in ___ and a ___ background.

The creative writing world is laser-focusing on the micro-niche. Only certain writers and certain readers will interact in shared, manufactured spaces. People will read what they write and write what they read, creating a tight, closed, exclusive little circle.

  • Poetry contest.
  • Submit to our ___ theme.
  • Only $25 and every entry gets a “free” one-year subscription.

The likeminded buy their way into likeminded publications that create a reader-base on a specific call. I understand the need for reading fees and the likes in a world where funding is dwindling; this said, the original need becomes a foundation for niche-building. Each publication becomes a silo that contains only the “type” of writing seeded in calls, inflating circulation numbers to readers who bought a subscription. That year wasn’t free.
Exclusive content only $___ per month.

$3 here, $5 there, $15 hither, $25 yon… all to buy into a place that feels like ‘home.’ But all the people there, the likeminded, they also bought in, for the same reasons, sparked by the same call, the same ‘experience,’ the same ‘background.’ The home is peopled with writers that sound the same, think the same, read the same…

…creating a tight, closed, exclusive little circle.

I miss the days of pulp mags, of mags that published a variety of conflicted, conflicting, interesting stuff. Now many — and I should note that it’s not ALL — journals or mags or publications just put out pages of I’ve-seen-this-before-and I-can-pretty-much-guess-what’s-coming-next.

Break the circle – Write outside the silo – Make the world your niche

A lightening

droplets of condensation 
down the cheap tin
of the cheap can
residual handprint bleeding water

the vacant chair
threadbare from years of lounging
a scratchy radio in the background
ancient songs
antique sounds

She still nags, chicken-pecking in the kitchen, about this, that, the other thing, almost drowning out the broken music. What she doesn’t realize is that

he’s gone
after all these years
up and left
beer still cold
chair still warm
no longer there to listen
no longer there to care
or
not
care

he walks down the driveway
smoking a Camel
his other hand twitching
the straw that broke the camel’s back
Farm Horror © R L Raymond

From Weakdays, Corrupt Press