Creative writing for the likeminded — and ONLY the likeminded
I sometimes take the opportunity to rant. This is a rant.
It appears that the entire intent of ‘literature’ and ‘poetry’ is to create and define niches. Because the world — read: virtual world — is so vast, everyone is trying to cut a little piece of the landscape and call it ‘home.’ But, there are only certain guests that can and will be invited into these ‘homes.’
Open call for writers from ___ with experience in ___ and a ___ background.
The creative writing world is laser-focusing on the micro-niche. Only certain writers and certain readers will interact in shared, manufactured spaces. People will read what they write and write what they read, creating a tight, closed, exclusive little circle.
Submit to our ___ theme.
Only $25 and every entry gets a “free” one-year subscription.
The likeminded buy their way into likeminded publications that create a reader-base on a specific call. I understand the need for reading fees and the likes in a world where funding is dwindling; this said, the original need becomes a foundation for niche-building. Each publication becomes a silo that contains only the “type” of writing seeded in calls, inflating circulation numbers to readers who bought a subscription. That year wasn’t free. Exclusive content only $___ per month.
$3 here, $5 there, $15 hither, $25 yon… all to buy into a place that feels like ‘home.’ But all the people there, the likeminded, they also bought in, for the same reasons, sparked by the same call, the same ‘experience,’ the same ‘background.’ The home is peopled with writers that sound the same, think the same, read the same…
…creating a tight, closed, exclusive little circle.
I miss the days of pulp mags, of mags that published a variety of conflicted, conflicting, interesting stuff. Now many — and I should note that it’s not ALL — journals or mags or publications just put out pages of I’ve-seen-this-before-and I-can-pretty-much-guess-what’s-coming-next.
Break the circle – Write outside the silo – Make the world your niche
Wherever your ideas comes from, be it image, fact, lie, it is interesting to have some type of documentation surrounding those ideas. Maybe there is a biographical link, a creative link, an environmental link, a detail that someone, somewhere, sometime will pick up about your piece. Because the original ideas are oftentimes NOT the core of a story or poem, they can add a certain depth for the serious reader. Having the ability to “uncover” these gems can be very rewarding to the parsers. To others, this type of backstory doesn’t matter. That’s great. Writing should be for different audiences. But giving the hardcore fans, the historical sleuths, the biographers of the future something to discover can be satisfying.
Writing can be a jigsaw puzzle. Although the endgame is a complete image/narrative, the process, the construction, the genesis is mostly lost to readers. Just imaging the exhilaration of finding a little piece of the puzzler inside the puzzle — a tidbit, a factoid, a revelation. This can elevate the serious reader to another level.
Biographical content is not necessarily the key. “Write what you know” can be the worst advice a writer could attempt to follow. This said, if there is a cool detail that lead to your piece, a detail that you can jot down somewhere in a journal, kept safe for future discovery, that is a priceless nugget. Even if it is totally unnecessary for the final fiction, that nugget can add so much to someone who had taken the time to discover it.
With practice, and by following your personal voice, style, aesthetic, these nuggets will start to manifest in the overarch of your oeuvre: links, parallels, juxtapositions that alone mean nothing; bits that taken together, maybe with the addition of extra-textual notes, become beacons of meaning.
That’s why it is important to save your notebooks, to have someone who knows about them, someone who will, eventually, help the world decipher the hidden stories within your stories.
The author is dead, maybe, but long live the author!
Keeping old books, stories, poems alive is important. Once something isn’t new or on the shelf anymore doesn’t mean it should fade into obscurity. Digital publications that go offline, presses that die, journals that shutter their doors, all contribute to this growing issue of slow word death. Make it a point to seek out and preserve these. Take a screen shot. Find an old, abandoned review and share it. Long live the old-ish stuff!
Here is a poem published 10 years ago in a now defunct magazine. Glad I have my contributor copies.
What is Craft? Enjoyment? Mastery? The little things. Slow it down; learn to make something; lose yourself in something; become a master at something. This takes time, appreciation, love.
Somewhere along the way we have lost patience, we have neglected our ability to be awed, we have come to expect instant gratification with little to no effort. This must end. The very ideals of Craft and Art are fading into a snowstorm of electroniccommercialsocial static.
– No coffee from pods – brew it, taste it, experiment and learn flavour nuances
– No insta-poetry / no social media snippets and sound bites – read a book, on paper, from classics to contemporaries
– No AI – be your own brain. Write, draw, schedule, plan, dream, rebel, expand… on your own terms, through your own volition, with your results and failures in sight
– No shortcuts / no GPS – take the long road, get tired, get hurt, experience things you never would have expected
This is not an anti-tech or anti-progress manifesto. It is a love-letter to Craft, Enjoyment, Mastery. Only through the little things that we can master will we continue to create lasting magnificence. After the little things have hooked you, the Big Things will beckon, and you will gladly seek them out.